Rodin Museum
A well-honed logistics operation at the Rodin Museum
At the heart of the gardens of the Rodin Museum in Paris, this project reached an exceptional scale through the scope of its architectural deployment. Facing the museum, a 450 sqm Green house Grand Palais was installed as the centrepiece of the reception. Fully glazed, it offered a direct visual dialogue with the listed surroundings while structuring the space with clarity and precision. Its generous volume allowed the key moments of the evening to unfold within a striking setting, without ever competing with the historic architecture of the site.
On either side, two 150 sqm Blackline verrières balanced the composition. Their black steel frames introduced a more graphic language, defining clearly legible secondary volumes dedicated to welcome areas and circulation. This precise arrangement created a true open air architectural scenography, conceived as a dialogue between transparency, perspective and nocturnal staging.
Beyond its visual impact, this installation reflects complete logistical mastery. Working within a sensitive site, coordinating volumes, managing guest flows and respecting the museum environment informed every decision. Here, the structure does more than shelter an event. It organises, prioritises and reveals the site, transforming the gardens of the Rodin Museum into an exceptional reception space that is controlled, fluid and distinctly spectacular.
At the heart of the gardens of the Rodin Museum in Paris, this project reached an exceptional scale through the scope of its architectural deployment. Facing the museum, a 450 sqm Green house Grand Palais was installed as the centrepiece of the reception. Fully glazed, it offered a direct visual dialogue with the listed surroundings while structuring the space with clarity and precision. Its generous volume allowed the key moments of the evening to unfold within a striking setting, without ever competing with the historic architecture of the site.
On either side, two 150 sqm Blackline verrières balanced the composition. Their black steel frames introduced a more graphic language, defining clearly legible secondary volumes dedicated to welcome areas and circulation. This precise arrangement created a true open air architectural scenography, conceived as a dialogue between transparency, perspective and nocturnal staging.
Beyond its visual impact, this installation reflects complete logistical mastery. Working within a sensitive site, coordinating volumes, managing guest flows and respecting the museum environment informed every decision. Here, the structure does more than shelter an event. It organises, prioritises and reveals the site, transforming the gardens of the Rodin Museum into an exceptional reception space that is controlled, fluid and distinctly spectacular.
Installed equipment
The Orangerie collection brings together the Green house Grand Palais and the Blackline verrière under a shared architectural ambition: to create transparent, confident and precisely engineered structures. Conceived as true built volumes, they offer a high end alternative to traditional tents, delivering clarity, height and a clear spatial reading.
The Grand Palais Vitré stands out for its scale and its ability to structure large receptions, while the Blackline verrière asserts a more graphic expression, with bold black lines that are ideal for defining a project or creating complementary spaces. Together, they form a coherent collection designed to engage seamlessly with both heritage and contemporary settings, meeting the highest technical requirements without ever compromising aesthetics or the guest experience.
The Orangerie collection brings together the Green house Grand Palais and the Blackline verrière under a shared architectural ambition: to create transparent, confident and precisely engineered structures. Conceived as true built volumes, they offer a high end alternative to traditional tents, delivering clarity, height and a clear spatial reading.
The Grand Palais Vitré stands out for its scale and its ability to structure large receptions, while the Blackline verrière asserts a more graphic expression, with bold black lines that are ideal for defining a project or creating complementary spaces. Together, they form a coherent collection designed to engage seamlessly with both heritage and contemporary settings, meeting the highest technical requirements without ever compromising aesthetics or the guest experience.
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